Midas Press Release

Ref: Caroline Moss PR0692
Date: June 2009

Midas PRO6 stars on Maximo Park academy tour

UK rental company SSE has supplied a Midas PRO6 live audio system for Maximo Park’s sellout UK academy tour. A Klark Teknik DN9696 was used to record all shows, including support bands, which were also mixed on the PRO6.

FOH engineer Huw Richards had used an XL8 for orchestral concerts in the past, but this was his first time on a PRO6.

“What I love about this board more than anything is the feel of it: it’s like Midas has always felt, which is reassuring,” says Richards. “So many digital boards are so flimsy and light, there’s no foundation, but I don’t think of this as a digital desk, to me it’s a Midas.

“I like the ‘fast zone’ controls which take you to any instrument or control parameters wherever you are on the desk. You don’t have to search through layers or change pages, everything you need is on the surface, which again is reassuring.

“The sound is also what you’d expect from a Midas; it sounds wonderful, it’s open, you can drive it hard, and the sweet spot’s easy to find. They’ve really done their work and listened to what people wanted. Everybody’s been waiting for an XL4 to occur in the digital domain and that’s happened with this desk.”

SSE’s system tech Nick Pain particularly appreciated the PRO6’s Area B, a four-channel ‘fast zone’ on the right of the control surface, which allows easy access for dual operators. “If Huw needs some assistance on any of the channels, or I need to change the EQ on the PA, I can bring it into Area B, deal with it on separate headphones and repatch things without disturbing him,” he says. “On academy tours like this where our equipment has a small footprint, I don’t have a drive rack, delay or EQ, it’s all in the desk. Area B means if I need to get into something, I don’t need to lean over Huw like I would with other desks.”

The support bands – a total of five across the tour – were also mixed on the PRO6. “They’ve all fitted into the same basic channel list that Maximo Park does, and it’s so quick to set scenes up for each one and flip between them,” says Pain. “The respective engineers have found it really easy to pick up, and from my point of view it’s been a lot easier just having the one console to look after.”

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Photo: Maximo Park FOH engineer Huw Richards with the Midas PRO6

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Photo: L to R: Maximo Park FOH engineer Huw Richards and system tech Nick Pain with the Midas PRO6

 

Further details:
James Godbehear
Midas Klark Teknik Ltd
T:+44 (0)1562 741515
Email: james.godbehear@music-group.com

Press contact:
Caroline Moss
Caroline Moss PR
T: +44 1273 689018
Email: pr@carolinemoss.co.uk

ENDS

All brands and trademarks are recognised.

Editors' information:

Midas live performance mixing consoles have been used by the world's most demanding sound engineers, performers and rental companies for three decades. The company strives to raise the standards of sonic quality through its programme of continual research and development, implementing new control functionality and user-friendly desk operation to anticipate and accommodate the ever-evolving needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.

Klark Teknik was founded in 1974 and in the years immediately following, their innovative approach to design and development allowed them to introduce some truly groundbreaking designs. Klark Teknik was responsible for one of the world’s first digital delay and digital reverb units, however it was their concepts for equalisation devices that really changed the world of professional audio resulting in the DN370 and the famous DN360. Today Klark Teknik continues to bring innovation in design and dedication to engineering and sonic quality in both the analogue and digital realm of signal processing, with the Square ONE and Show Command and Creative ranges updating the brand.