Whole lotta Midas as AC/DC tour hits UK with PRO40, PRO6 and Heritage consoles

The runaway train that is AC/DC’s Black Ice world tour has crashed into the UK, accompanied by vintage and state-of-the-art Midas technology. Front of house engineer Paul ‘Pab’ Boothroyd is using a refurbished eighties PRO40 console to mix the band, with a PRO6 live audio system alongside to run the Klark Teknik DN9696 hard disc recorder and mix support bandThe Answer. A Midas Heritage 4000 is the monitor console for AC/DC, with a second PRO6 being used to monitor support bands.

“I’ve always enjoyed analogue consoles, and I’ll use whatever suits the job,” explains Pab. “A band like AC/DC warrants using a good old analogue desk because they’re a good old analogue band. It’s not like I have masses of processing, FX sends or over-EQing going on, just a little bit of compression. Nothing fancy as it doesn’t need to be, and I’m having a great time using it.”

The 25-year-old PRO40 was painstakingly cleaned up and restored by Pab together with Tim Boyle and Pete Cornell from Concert Sound, which owns the desk. “I have a lot of association with this console, and it’s got a great history,” Pab continues. “We had access to lots of spare parts and modules and spent many hours restoring it, wiping away the years of dirt with a Q Tip. Concert Sound and Midas would have worked closely on what was needed when it was made, listening to feedback and ideas. That’s a process that still goes on today and what’s always been good about Midas, they listen to and work with the people that use the gear.”

Again choosing the best tools for the job, Pab has a PRO6 as the front end for recording shows onto the KT DN9696 hard disc recorder. This PRO6 has also been programmed with a live mix for the band in case the PRO40 has a senior moment. However, as befits its rock and roll credentials, so far this hasn’t been necessary.

AC/DC’s world tour exemplifies the best of Midas analogue and digital past and present, and is one of the most creative examples to date of networking a complex Midas audio system. A mix of PRO6 and XL8 components create a modular digital system, with two DL431 XL8 mic splitters supplying high quality analogue and digital audio simultaneously to all four consoles.

Photo: AC/DC front of house engineer Paul ‘Pab’ Boothroyd with the Midas PRO40 and PRO6 consoles

Contact:
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Email: alan.wong@racpro.net

Midas live performance mixing consoles have been used by the world's most demanding sound engineers, performers and rental companies for three decades. The company strives to raise the standards of sonic quality through its programme of continual research and development, implementing new control functionality and user-friendly desk operation to anticipate and accommodate the ever-evolving needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.

Klark Teknik was founded in 1974 and in the years immediately following, their innovative approach to design and development allowed them to introduce some truly groundbreaking designs. Klark Teknik was responsible for one of the world’s first digital delay and digital reverb units, however it was their concepts for equalisation devices that really changed the world of professional audio resulting in the DN370 and the famous DN360. Today Klark Teknik continues to bring innovation in design and dedication to engineering and sonic quality in both the analogue and digital realm of signal processing, with the Square ONE and Show Command ranges updating the brand.